Long before the Soviet Union broke up, a group of Russian writers touring the United States were astonished to find, after reading the newspapers and watching television, that almost all the opinions on all the vital issues were the same. “In our country,” said one of them, “to get that result we have a dictatorship. We imprison people. We tear out their fingernails. Here you have none of that. How do you do it? What’s the secret?”
The secret is a form of censorship more insidious than a totalitarian state could ever hope to achieve. The myth is the opposite. Constitutional freedoms unmatched anywhere else guard against censorship; the press is a "fourth estate", a watchdog on democracy. The journalism schools boast this reputation, the influential East Coast press is especially proud of it, epitomised by the liberal paper of record, the New York Times, with its masthead slogan: "All the news that's fit to print."
It takes only a day or two back in the US to be reminded of how deep state censorship runs. It is censorship by omission, and voluntary. The source of most Americans' information, mainstream television, has been reduced to a set of marketing images shot and edited to the rhythms of a Coca-Cola commercial that flow seamlessly into the actual commercials. Rupert Murdoch's Fox network is the model, with its peep-shows of human tragedy. Non-American human beings are generally ignored, or treated with an anthropological curiosity reserved for wildlife documentaries.
Extract of an article by John Pilger
Napoleon was to say: “the politics of the future will be the art of mobilizing the masses.”
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